QUOTE CREDITS

Baizerman, Suzanne, “Still Life in Clay,” Oakland Museum Magazine, v26:2, Spring 2002.

Brown, Glenn R., “Locus of a Disseminated Style,” Kansas City Review, May 2004.

Faulkner, William, Requiem for a Nun, 1950.
 
Lauria, Jo, "Bay Area Ceramic Sculptors: Second Generation," Daum Museum of Contemporary Art, Exhibition Catalogue Essay 2004.

Litt, Steven, “World of San Francisco,” The News and Observer/The Raleigh Times, July 29, 1988.

Lucas, Julian, “How El Anatsui Broke the Seal on Contemporary Art,” New Yorker, January 11, 2021.

Pomento, Dawn, “Nancy Selvin at Charleston Heights Art Center Gallery,” Artweek,  December 1999, pg 27.
 
Roth, David, “Nancy Selvin," American Craft, October/November 2002, v:62:5.

Ross, Alex, “How Radical Was Rachmaninoff?” New Yorker, August 29, 2022.

Walker Art Center, Minneapolis, MN, May 2021, Charles Ray referenced in https://walkerart.org/collections/artists/charles-ray.
 
White, Cheryl, "Nancy Selvin at Works Gallery,"  Artweek, v27:6 June l996, pg 22.

PHOTO CREDITS

Artworks: Kim Harrington, David Schmitz

All other photos: Steve Selvin, Nancy Selvin, and a few others.

Photo editing: Verna Lim, Jenny Rosen